In my performative action Noticeably Unnoticeable I explore the current trend of self-optimisation. To attain perfection in my day job as a museum supervisor I take various measures ranging from physical training to acquiring professional qualifications and profound expertise. I invest my entire income in my self-compiled education plan. In this way, the ambivalent relationship of artistic and non-artistic work becomes evident. The performanceas well as the documentation of this process blurs the border between symbolic representation and economic reality.